| 13 |
Incline Towards
|
| 17 |
WFL-33 Intermodulations
|
| 22 |
The Cloven Land Wreathed in Falling Clouds
|
| 31 |
Belonging to Winter
|
| 34 |
A Photograph of Water
|
| 26 |
Mare and Mir
|
| 22 |
Astra Shroud
|
| 9 |
Chrysopoeian Waves XII
|
| 18 |
Chrysopoeian Waves XI
|
| 12 |
I.C.C.
|
| 17 |
The Contour of Deletion
|
| 17 |
Umunhum
|
| 11 |
Draincleaner
|
| 107 |
Vasarelian Space
|
| 10 |
VCZ
|
| 19 |
Formed Without Purpose
|
| 110 |
Nazca
|
| 22 |
A Night Shift in the Quarry
|
| 13 |
Chrysopoeian Waves X
|
| 16 |
8ce379
|
| 14 |
Before Rotten Touch
|
| 17 |
Sift and Repurpose
|
| 24 |
Eight Integral Squarewaves
|
| 20 |
Vision and Formation
|
| 13 |
Aius Loquens II
|
| 21 |
Mending
|
| 14 |
A Vocabulary for Communal Architectures
|
| 35 |
Sun Window
|
| 20 |
The Indescribable Pleasure of Vandalism
|
| 20 |
Chrysopoeian Waves IX
|
| 18 |
Aulos Diptych
|
| 12 |
Nascent Structures
|
| 15 |
The Branching Path
|
| 59 |
Carving the Wall
|
| 20 |
Groundwork
|
| 23 |
To Suggest a Structure
|
| 34 |
Ex-Lo Rotor Orb
|
| 11 |
Chrysopoeian Waves VIII
|
| 13 |
Chrysopoeian Waves VII
|
| 18 |
Raysmoked
|
| 19 |
Venus in Black
|
| 18 |
The Pavona Clavus Brain
|
| 47 |
The Lighting of the New Fire
|
| 9 |
Arch / Trace
|
| 17 |
Academic Vert Thrash
|
| 21 |
Interior Landscaping
|
| 16 |
Binomial Phrase
|
| 14 |
Azimuth Years
|
| 10 |
Col
|
| 16 |
The Darkness Expands Like a Gas
|
| 22 |
Low Bedrooms
|
| 15 |
Chrysopoeian Waves VI
|
| 17 |
Tractrix ζ
|
| 14 |
Tractrix σ
|
| 19 |
Tractrix λ
|
| 13 |
A Song for the Roaming Damned
|
| 17 |
Salt Ruins
|
| 18 |
Chrysopoeian Waves V
|
| 17 |
Circumambulation
|
| 13 |
Resculptural
|
| 14 |
Desculptural
|
| 17 |
Ascensoria
|
| 12 |
OHMM [Ten Hypaethral Communions]
|
| 21 |
OHMM X
|
| 23 |
Scraped Residues
|
| 14 |
Laid to Rest in the Cut Daisies
|
| 24 |
Chrysopoeian Waves IV
|
| 15 |
Halftone Burn
|
| 31 |
N.M.B.
|
| 17 |
Malignant Isotropy
|
| 20 |
Moment of Landscape
|
| 24 |
Lud
|
| 30 |
A Wreath for Pandrosion
|
| 19 |
Chrysopoeian Waves III
|
| 11 |
OHMM IX
|
| 16 |
Achaemenid Cube
|
| 21 |
Achaemenid Cube
|
| 16 |
Kem
|
| 12 |
OHMM VIII
|
| 26 |
Chrysopoeian Waves II
|
| 20 |
The Superpositional Statue
|
| 45 |
A220
|
| 22 |
Isotelus
|
| 13 |
Wind Send
|
| 36 |
The Cold Foundation
|
| 14 |
Bin Tepe
|
| 17 |
Bin Tepe
|
| 16 |
Algul Siento
|
| 14 |
Interference Patterns
|
| 14 |
OHMM VII
|
| 28 |
Long Days, Pleasant Nights
|
| 41 |
To Become Blank
|
| 30 |
Chrysopoeian Waves
|
| 16 |
This Last Remnant of the Celestial Body
|
| 15 |
VBM Test Studies
|
| 20 |
The Eburnean Barrier
|
| 25 |
Bleached
|
| 16 |
Alsciaukat
|
| 29 |
Renunciation
|
| 25 |
Without Motion
|
| 19 |
The Distance From the Fire
|
| 22 |
Cenotaph
|
| 13 |
Aius Loquens
|
| 22 |
Losing Ice
|
| 15 |
Nan Madol
|
| 17 |
Accension Oil
|
| 23 |
Binding the Appointed
|
| 33 |
The Derelict
|
| 21 |
Finer Rigours
|
| 22 |
Initiation Wells
|
| 23 |
The Other Side of the Rain Wall
|
| 18 |
Alight With Bels
|
| 111 |
Allow Nothing to Remain as It Was
|
| 10 |
Microdot Ext.
|
| 88 |
Ever Downward
|
| 12 |
Reinforcement
|
| 51 |
Desecration of the Vainglorious Deific
|
| 13 |
A Moon With No Sky
|
| 14 |
Unspoken Panegyric to the Graven Image
|
| 14 |
Desiccated Triad
|
| 13 |
Radiant Orb Carrier
|
| 15 |
Sill
|
| 12 |
The Grave of the Ocean King
|
| 19 |
Wythoff Deconstruction
|
| 14 |
Eo Ipso
|
| 16 |
Dynamic Hieroglyph of the Vale Azurine
|
| 14 |
OHMM VI
|
| 34 |
LC9x9
|
| 17 |
Dis
|
| 12 |
Desacralization
|
| 14 |
Ambivalence
|
| 11 |
F.P.R.
|
| 23 |
Molybdos
|
| 42 |
Adamantinarx
|
| 40 |
Vitreous and Defaced
|
| 12 |
Thay
|
| 16 |
Like a Noonday Star That Guides the Praying Hands of a King
|
| 16 |
The Glimmer of a Sword
|
| 13 |
OHMM V
|
| 16 |
Ranges Glimpsed
|
| 13 |
Resistance
|
| 18 |
Grass to Heel
|
| 12 |
Impulse
|
| 12 |
107A-2
|
| 16 |
OHMM IV
|
| 41 |
Upon the Curvature of a Hill
|
| 16 |
V-2 No. 13
|
| 16 |
The Night Becomes a Millstone Turning Across the Face of the Urth
|
| 21 |
Amchixtax̂
|
| 25 |
To What Green Altar
|
| 23 |
Ecce Nihilo
|
| 11 |
Pierce/Coupling
|
| 23 |
Pillar of Persephone
|
| 15 |
OHMM III
|
| 16 |
OHMM
|
| 14 |
OHMM II
|
| 16 |
The Violence in Hell is Made of Blood
|
| 18 |
Heaven is a Glass Forever Machine
|
| 46 |
Litho
|
| 18 |
A Cold Finger Traced Across an Empty Glass
|