| 362 | The Clocktower at the Beach (1979) |
| 278 | Aurora Terminalis |
| 259 | Monochromes Vol.1 |
| 244 | Series |
| 223 | Ten Types of Elsewhere |
| 222 | Muzak for the Encouragement of Unproductivity |
| 214 | Program |
| 213 | Sueda |
| 199 | bgm |
| 197 | Twin Radiant Flux |
| 196 | Sleepwalkers in a Cold Circus |
| 193 | Pieces for Sine Wave Oscillators |
| 192 | Singulum |
| 192 | Isolation |
| 190 | Ornamente (zwischen Null und Eins) |
| 190 | Days |
| 188 | Earth's Shadow |
| 184 | November 20th |
| 181 | LINELEH I |
| 179 | West Coast Systems |
| 171 | Remain |
| 168 | Six Microphones |
| 166 | Forms of Paper (remastered) |
| 161 | Nostalgia (circa 1987) |
| 161 | A Gradual Accumulation of Ideas Becomes Truth |
| 159 | Airforms |
| 156 | Loss Less |
| 153 | scènes |
| 151 | Silence Resounding |
| 150 | Two Point Two |
| 149 | Monochromes Vol.2 |
| 146 | Strömen |
| 146 | 4 compositions |
| 146 | LINELEH II |
| 145 | Here |
| 141 | LINEmix5 |
| 140 | Variable Dimensions |
| 139 | Central (for M.Vainio) |
| 138 | LINEmix7 (recordings from the LINE label 2000-2022) |
| 138 | LINEmix4 |
| 136 | on the swollen lips of the horizon |
| 136 | Romantic Threat EP |
| 134 | Percussion Studies |
| 133 | on a continuous form |
| 133 | Awakenings |
| 133 | Same Room, Another Day |
| 133 | Aurora Liminalis |
| 132 | Z-Menge |
| 130 | West Coast Systems Vol 2 |
| 130 | LINEmix3 |
| 129 | 2 Transcriptions (Oliveros • Pade) |
| 129 | Ichinen 一念 |
| 127 | Parallelen |
| 125 | five cycles through an empty chamber |
| 121 | Ma |
| 121 | walking from savoonga to gambell |
| 119 | Magnetic Loops II |
| 119 | Shinonome |
| 119 | LINEmix1 |
| 119 | Meta |
| 119 | Suite Nuit |
| 117 | LINEmix6 |
| 117 | Departure |
| 116 | Three Themes |
| 115 | Monochromes Vol.3 |
| 115 | Cistern |
| 114 | when she had no mirror... she watched her shadow |
| 114 | LINEmix2 |
| 114 | Interior Field |
| 113 | Presque Tout (Quiet Pieces 1993-2013) |
| 112 | Untitled 1-3 |
| 111 | Turning of the Day |
| 111 | Mist |
| 110 | Sustain |
| 109 | Wavefront Aberrations |
| 109 | Description of Problem |
| 109 | E-Menge |
| 108 | Circadian Rhythms Vol.1 |
| 108 | Oltre |
| 107 | Limit_Fold |
| 107 | Between Two Points |
| 106 | Forms of Forgetting |
| 105 | Sensitive Dependence on Initial Conditions |
| 105 | When the Moon is a Thread |
| 104 | Circa |
| 104 | 2|1 |
| 103 | Monads |
| 103 | Drono |
| 102 | Perplexor |
| 102 | frequencies (a / fragments) |
| 101 | extensities |
| 101 | Empire |
| 101 | Subsequent Materials |
| 100 | h-Menge |
| 100 | Two Locations |
| 99 | Disappearing Music (for Nam June Paik) |
| 99 | Multitemporal Designs |
| 98 | 5 Directions |
| 98 | Relocation.Reconstruction |
| 97 | Grass Eater Diary |
| 96 | Cut Paper Flowers |
| 96 | Flux |
| 94 | Genkai 限界 |
| 93 | Surroundings |
| 92 | Vast |
| 92 | threatening omens in the clouds |
| 92 | sûr |
| 89 | Various Vibrating Materials |
| 88 | Magnetic Loops III |
| 88 | Lupe Luep Peul Epul |
| 87 | Return and Recovery |
| 85 | Extended Play |
| 84 | Stage |
| 82 | Wave Resource |
| 82 | Circulator |
| 82 | Apparitions (Vol. 1) |
| 81 | 60:00 |
| 81 | Hyalin |
| 80 | Un día en México |
| 80 | Source Voice |
| 79 | Watering the Piano |
| 79 | Clean |
| 78 | Soirée |
| 78 | 8 Studies for Automatic Piano |
| 77 | Scrape |
| 75 | Into Your Eyes |
| 75 | Environmental Studies |
| 75 | Paloma Wind |
| 74 | Wiel |
| 73 | That We Must Pass Through This Life |
| 73 | Colmena |
| 73 | Alea |
| 73 | Lichtung |
| 72 | six sound installations |
| 72 | Forms of Paper (2024 remaster) |
| 72 | LINEmix8 (recordings from the LINE label 2000-2024) |
| 68 | Selections from LINE |
| 68 | Specification.Fifteen |
| 67 | Magnetic Loops IV |
| 67 | Gesto |
| 66 | Macondo |
| 65 | Strame |
| 65 | Raw Materials |
| 65 | Transparency (performance) |
| 64 | For/Not For John Cage |
| 64 | Proximities |
| 63 | In the Glow of Distant Fires |
| 63 | Four Unbindings |
| 63 | Inherited Heteronomous Perception |
| 63 | Chessmachine (Live in Los Angeles) |
| 62 | In My Ears (for Maryanne) |
| 60 | Maloviento |
| 59 | Foley Folly Folio |
| 58 | Cartographies of Silence |
| 56 | Set or Performance |
| 55 | Nth |
| 54 | Kippschwingungen |
| 54 | Attack on Silence |
| 52 | Objects of Memory |
| 51 | Ressac |
| 51 | Listening Garden |
| 50 | Valence |
| 49 | Recurrence |
| 47 | Underlined |
| 45 | Fragments |
| 45 | Intermission / Six Feuilles |
| 44 | Glass Anthimeria |
| 43 | Displacements |
| 42 | Of Surfaces |
| 41 | El Parque Está Situado En Su Propia Casa |
| 40 | Built Through |
| 40 | Radioland (Panorámica) |
| 37 | Trac[k]_t |
| 35 | (to be announced) |
| 34 | Sensus |
| 34 | Further Materials |
| 29 | C |
| 26 | Levels (Inverted) |
| 22 | Liquified Sky |
| 13 | Chroma |