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1-01 Three & Two - Fundamental Cycles - 2 Plus 3 - 3 Plus 2
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1-02 Three & Two - Fundamental Polyrhythm - 3 Against 2
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1-03 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 1st Variation
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1-04 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 2nd Variation
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1-05 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 3rd Variation
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1-06 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 4th Variation
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1-07 Three & Two - Fundamental Polyrhythm - 3 Against 2 - Starting One Pulse Earlier
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1-08 Three & Two - Fundamental Polyrhythm - 3 Against 2 - Top Row Displaced By Three Pulses
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1-09 Three & Two - Qaraqaba (Gnawa_Morocco)
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1-10 Three & Two - Qaraqaba - 1st Variation (Gnawa_Morocco)
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1-11 Three & Two - Qaraqaba - 2nd Variation (Gnawa_Morocco)
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1-12 Three & Two - Qaraqaba - 3rd Variation (Gnawa_Morocco)
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1-13 Three & Two - Qaraqaba - Grid Of Five Variations (Gnawa_Morocco)
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1-14 Three & Two - Musubajulo (Mandingo – the Gambia)
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1-15 Three & Two - Abakwa Type Rhythm (Cuba)
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1-16 Four & Three - Fundamental Polyrhythm - 4 Against 3
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1-17 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 1st To 3rd Variation
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1-18 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 4th And 5th Variation
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1-19 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 6th To 9th Variation
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1-20 Five, Ten And Twenty Beat Cycles - Caturhaka - Pajdushko, Caccari - Kankala Vishama
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1-21 Five, Ten And Twenty Beat Cycles - Berber (Morocco)
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1-22 Five, Ten And Twenty Beat Cycles - Jajouka (Morocco)
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1-23 Five, Ten And Twenty Beat Cycles - Houwara (Morocco)
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1-24 Five, Ten And Twenty Beat Cycles - Hamacha
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1-25 Five, Ten And Twenty Beat Cycles - Hamacha - Grid Of Five Variations
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1-26 Five, Ten And Twenty Beat Cycles - Four Variation
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1-27 Five, Ten And Twenty Beat Cycles - Hamacha
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1-28 Five, Ten And Twenty Beat Cycles - Hamacha In Variation
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1-29 Five, Ten And Twenty Beat Cycles - Hamacha - 2 1_2 Repeated Twice
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1-30 Five, Ten And Twenty Beat Cycles - Hamacha - With Three_Four Pulses Displaced
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1-31 Five, Ten And Twenty Beat Cycles - Jhaptal (North Indian)
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1-32 Five, Ten And Twenty Beat Cycles - 2nd Variation Of Kankala Khanda
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1-33 Five, Ten And Twenty Beat Cycles - Sama'i Thaqil (Middle East, Turkey)
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1-34 Five, Ten And Twenty Beat Cycles - Aqsaq Sama'i (Turkey)
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1-35 Five, Ten And Twenty Beat Cycles - Balkan
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1-36 Five, Ten And Twenty Beat Cycles - Misra Jati Jampa Tala (South India)
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1-37 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern
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1-38 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - Variation 1
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1-39 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - Samba Type Feel Variation
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1-40 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - 11 Plus 9
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1-41 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - 7 Plus 13
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1-42 Five, Ten And Twenty Beat Cycles - Sama'i Thaqil Played Twice Against 6 2_3 Triplets
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1-43 Five, Ten And Twenty Beat Cycles - Jhaptal Played Once Against 6 2_3 Triplets
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1-44 Five, Ten And Twenty Beat Cycles - Tehai Pattern
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1-45 Seven Beat Cycles - Tritya (India)
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1-46 Seven Beat Cycles - Ruchenica (Balkan)
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1-47 Seven Beat Cycles - Tritya Backwards
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1-48 Seven Beat Cycles - Catsutala (India)
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1-49 Seven Beat Cycles - Lesnoto (Balkan)
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1-50 Seven Beat Cycles - Rupak Tal (North Indian)
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1-51 Seven Beat Cycles - Berber (Morocco)
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1-52 Seven Beat Cycles - Berber (Morocco)
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1-53 Seven Beat Cycles - 3rd Berber Rhythm (Morocco)
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1-54 Seven Beat Cycles - Hand Claps (Berber_Morocco)
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1-55 Seven Beat Cycles - Combined
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1-56 Seven Beat Cycles - Variation
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1-57 Seven Beat Cycles - Variation Showing Downbeats
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1-58 Seven Beat Cycles - Counted From The Other Side
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1-59 Seven Beat Cycles - Dawr Hindi (Middle East)
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1-60 Seven Beat Cycles - Five Plus Nine
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1-61 Seven Beat Cycles - 2 1_2 Plus 4 1_2 Against Rupak Tal
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1-62 Seven Beat Cycles - Nine Plus Five
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1-63 Seven Beat Cycles - Seven Plus Seven
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1-64 Seven Beat Cycles - Fourteen Beat Cycle - Dawr Rawan Mawlawi (Middle East)
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1-65 Seven Beat Cycles - Fourteen Beat Cycle - Muhajjar Arabi (Middle East)
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1-66 Seven Beat Cycles - Nine Plus Five
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1-67 Universal Mother Rhythm
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1-68 Universal Mother Rhythm - Second Line (New Orleans)
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1-69 Universal Mother Rhythm - Counted In 8
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1-70 Universal Mother Rhythm - Rhythmic Modulation_ 4 feel to 5 feel
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1-71 Universal Mother Rhythm - Clave Or Keystone Rhythm
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2-01 Nine & Eighteen Beat Cycles - Gajalila (India)
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2-02 Nine & Eighteen Beat Cycles - Variation With One Pulse Displaced
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2-03 Nine & Eighteen Beat Cycles - Two Pulses Displaced - 1st To 4th Variation
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2-04 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East)
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2-05 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East) - Variation
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2-06 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East) - Grid Of Nine Variations
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2-07 Nine & Eighteen Beat Cycles - Modulation Of Pulse
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2-08 Nine & Eighteen Beat Cycles - Non-Metric Rhythmic Modulation
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2-09 Nine & Eighteen Beat Cycles - From Triplets To Septuplets
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2-10 Nine & Eighteen Beat Cycles - Afwar Mawlawi (Middle East)
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2-11 Nine & Eighteen Beat Cycles - Migrations With A Division Of Nine Quadruplets
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2-12 Nine & Eighteen Beat Cycles - Seven Plus Eleven Against Six Triplets
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2-13 Eleven Beat Cycles - Nihcankaila (Decital of Sharngadeva)
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2-14 Eleven Beat Cycles - Kopanica (Balkan)
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2-15 Eleven Beat Cycles - Pattern Of Five Plus Six
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2-16 Twelve Beat Cycles - Ewe Bell Pattern (West Africa)
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2-17 Twelve Beat Cycles - Variation With Three Quadruplets
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2-18 Twelve Beat Cycles - Bemba (Central Africa)
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2-19 Twelve Beat Cycles - Bondo Variation (Aka of Central Africa)
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2-20 Twelve Beat Cycles - Yoruba Pattern
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2-21 Twelve Beat Cycles - Bondo Pattern #6
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2-22 Twelve Beat Cycles - Bondo Pattern (Played More Quickly)
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2-23 Twelve Beat Cycles - Clave Type Bell Pattern
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2-24 Twelve Beat Cycles - With Two Pulses Displaced
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2-25 Twelve Beat Cycles - With Six Pulses Displaced
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2-26 Twelve Beat Cycles - Hawara Pattern (Morocco, counted in six)
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2-27 Twelve Beat Cycles - Variation With Four Triplets With Clave Type Bell Pattern
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2-28 Twelve Beat Cycles - Another Moroccan Pattern
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2-29 Twelve Beat Cycles - Bulerias (Flamenco, Spain)
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2-30 Twelve Beat Cycles - Bulerias Palmas (handclaps), Jerez style
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2-31 Twelve Beat Cycles - Modulation Of Pulse
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2-32 Thirteen Beat Cycles - Postupano (Balkan)
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2-33 Thirteen Beat Cycles - Variation Counted As 6 1_2
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2-34 Thirteen Beat Cycles - Murabba' (Middle East)
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2-35 Thirteen Beat Cycles - Dawr Rawan Halabi (Middle East)
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2-36 Fifteen Beat Cycles - 5 Against 3
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2-37 Fifteen Beat Cycles - Rhythm Modulation Of Pulse
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2-38 Fifteen Beat Cycle
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2-39 Fifteen Beat Cycles - 2nd Variation
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2-40 Fifteen Beat Cycles - Variation With Triplets On The Second Beat
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2-41 Fifteen Beat Cycles - Another 5 Beat Pattern
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2-42 Fifteen Beat Cycles - 3rd Variation
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2-43 Fifteen Beat Cycles - Lama (Raqsan) (Middle East)
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2-44 Twenty-One Beat Cycles
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2-45 Twenty-One Beat Cycles - 7+7+7
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2-46 Twenty-One Beat Cycles - Three sets of a Berber seven
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2-47 Twenty-One Beat Cycles - 5+7+9
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2-48 Twenty-One Beat Cycles - Variation Of 5+7+9
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2-49 Twenty-One Beat Cycles - Variation With Triplets On The Second Beat
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2-50 Twenty-One Beat Cycles - 9+7+5
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2-51 42 Beat Cycles
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2-52 42 Beat Cycles - 3 Sets Of 7 Against 2 Sets Of 21
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2-53 42 Beat Cycles - Tehai Of 5 Pulses Against Rupak Tal
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2-54 Twenty-Four Beat Cycles - Aka Pattern (Central Africa)
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2-55 42 Beat Cycles - 2nd Variation
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2-56 42 Beat Cycles - 9+15
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2-57 Thirty Beat Cycles - Sama'i Thaqil
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2-58 Thirty Beat Cycles - Sama'i Three Times Against Two Cycles Of 15
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2-59 Thirty Beat Cycles - 5 Against 3
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2-60 Thirty-Three Beat Cycles
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2-61 Thirty-Three Beat Cycles - 9+11+13
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2-62 Thirty-Three Beat Cycles - Variation Of Accents
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2-63 Thirty-Three Beat Cycles - 12+21
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2-64 Thirty-Three Beat Cycles - 4 1_2...
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2-65 Thirty-Five Beat Cycles
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2-66 Thirty-Five Beat Cycles - 1st Variation
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2-67 Thirty-Five Beat Cycles - 2nd Variation
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2-68 Thirty-Five Beat Cycles - 4th Variation
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2-69 Thirty-Five Beat Cycles - 7 Against 5
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2-70 Fifty-Four Beat Cycles - 12+21+21
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2-71 Fifty-Four Beat Cycles - 12+14+14+14
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2-72 Sixty Beat Cycles
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2-73 Sixty Beat Cycles - 12 Beat Pattern Against Jhaptal
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2-74 Blue, Green, Red And Black
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