| 0 | 1-01 Three & Two - Fundamental Cycles - 2 Plus 3 - 3 Plus 2 |
| 0 | 1-02 Three & Two - Fundamental Polyrhythm - 3 Against 2 |
| 0 | 1-03 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 1st Variation |
| 0 | 1-04 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 2nd Variation |
| 0 | 1-05 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 3rd Variation |
| 0 | 1-06 Three & Two - Fundamental Polyrhythm - 3 Against 2 - 4th Variation |
| 0 | 1-07 Three & Two - Fundamental Polyrhythm - 3 Against 2 - Starting One Pulse Earlier |
| 0 | 1-08 Three & Two - Fundamental Polyrhythm - 3 Against 2 - Top Row Displaced By Three Pulses |
| 0 | 1-09 Three & Two - Qaraqaba (Gnawa_Morocco) |
| 0 | 1-10 Three & Two - Qaraqaba - 1st Variation (Gnawa_Morocco) |
| 0 | 1-11 Three & Two - Qaraqaba - 2nd Variation (Gnawa_Morocco) |
| 0 | 1-12 Three & Two - Qaraqaba - 3rd Variation (Gnawa_Morocco) |
| 0 | 1-13 Three & Two - Qaraqaba - Grid Of Five Variations (Gnawa_Morocco) |
| 0 | 1-14 Three & Two - Musubajulo (Mandingo – the Gambia) |
| 0 | 1-15 Three & Two - Abakwa Type Rhythm (Cuba) |
| 0 | 1-16 Four & Three - Fundamental Polyrhythm - 4 Against 3 |
| 0 | 1-17 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 1st To 3rd Variation |
| 0 | 1-18 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 4th And 5th Variation |
| 0 | 1-19 Four & Three - Fundamental Polyrhythm - 4 Against 3 - 6th To 9th Variation |
| 0 | 1-20 Five, Ten And Twenty Beat Cycles - Caturhaka - Pajdushko, Caccari - Kankala Vishama |
| 0 | 1-21 Five, Ten And Twenty Beat Cycles - Berber (Morocco) |
| 0 | 1-22 Five, Ten And Twenty Beat Cycles - Jajouka (Morocco) |
| 0 | 1-23 Five, Ten And Twenty Beat Cycles - Houwara (Morocco) |
| 0 | 1-24 Five, Ten And Twenty Beat Cycles - Hamacha |
| 0 | 1-25 Five, Ten And Twenty Beat Cycles - Hamacha - Grid Of Five Variations |
| 0 | 1-26 Five, Ten And Twenty Beat Cycles - Four Variation |
| 0 | 1-27 Five, Ten And Twenty Beat Cycles - Hamacha |
| 0 | 1-28 Five, Ten And Twenty Beat Cycles - Hamacha In Variation |
| 0 | 1-29 Five, Ten And Twenty Beat Cycles - Hamacha - 2 1_2 Repeated Twice |
| 0 | 1-30 Five, Ten And Twenty Beat Cycles - Hamacha - With Three_Four Pulses Displaced |
| 0 | 1-31 Five, Ten And Twenty Beat Cycles - Jhaptal (North Indian) |
| 0 | 1-32 Five, Ten And Twenty Beat Cycles - 2nd Variation Of Kankala Khanda |
| 0 | 1-33 Five, Ten And Twenty Beat Cycles - Sama'i Thaqil (Middle East, Turkey) |
| 0 | 1-34 Five, Ten And Twenty Beat Cycles - Aqsaq Sama'i (Turkey) |
| 0 | 1-35 Five, Ten And Twenty Beat Cycles - Balkan |
| 0 | 1-36 Five, Ten And Twenty Beat Cycles - Misra Jati Jampa Tala (South India) |
| 0 | 1-37 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern |
| 0 | 1-38 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - Variation 1 |
| 0 | 1-39 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - Samba Type Feel Variation |
| 0 | 1-40 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - 11 Plus 9 |
| 0 | 1-41 Five, Ten And Twenty Beat Cycles - Twenty Beat Pattern - 7 Plus 13 |
| 0 | 1-42 Five, Ten And Twenty Beat Cycles - Sama'i Thaqil Played Twice Against 6 2_3 Triplets |
| 0 | 1-43 Five, Ten And Twenty Beat Cycles - Jhaptal Played Once Against 6 2_3 Triplets |
| 0 | 1-44 Five, Ten And Twenty Beat Cycles - Tehai Pattern |
| 0 | 1-45 Seven Beat Cycles - Tritya (India) |
| 0 | 1-46 Seven Beat Cycles - Ruchenica (Balkan) |
| 0 | 1-47 Seven Beat Cycles - Tritya Backwards |
| 0 | 1-48 Seven Beat Cycles - Catsutala (India) |
| 0 | 1-49 Seven Beat Cycles - Lesnoto (Balkan) |
| 0 | 1-50 Seven Beat Cycles - Rupak Tal (North Indian) |
| 0 | 1-51 Seven Beat Cycles - Berber (Morocco) |
| 0 | 1-52 Seven Beat Cycles - Berber (Morocco) |
| 0 | 1-53 Seven Beat Cycles - 3rd Berber Rhythm (Morocco) |
| 0 | 1-54 Seven Beat Cycles - Hand Claps (Berber_Morocco) |
| 0 | 1-55 Seven Beat Cycles - Combined |
| 0 | 1-56 Seven Beat Cycles - Variation |
| 0 | 1-57 Seven Beat Cycles - Variation Showing Downbeats |
| 0 | 1-58 Seven Beat Cycles - Counted From The Other Side |
| 0 | 1-59 Seven Beat Cycles - Dawr Hindi (Middle East) |
| 0 | 1-60 Seven Beat Cycles - Five Plus Nine |
| 0 | 1-61 Seven Beat Cycles - 2 1_2 Plus 4 1_2 Against Rupak Tal |
| 0 | 1-62 Seven Beat Cycles - Nine Plus Five |
| 0 | 1-63 Seven Beat Cycles - Seven Plus Seven |
| 0 | 1-64 Seven Beat Cycles - Fourteen Beat Cycle - Dawr Rawan Mawlawi (Middle East) |
| 0 | 1-65 Seven Beat Cycles - Fourteen Beat Cycle - Muhajjar Arabi (Middle East) |
| 0 | 1-66 Seven Beat Cycles - Nine Plus Five |
| 0 | 1-67 Universal Mother Rhythm |
| 0 | 1-68 Universal Mother Rhythm - Second Line (New Orleans) |
| 0 | 1-69 Universal Mother Rhythm - Counted In 8 |
| 0 | 1-70 Universal Mother Rhythm - Rhythmic Modulation_ 4 feel to 5 feel |
| 0 | 1-71 Universal Mother Rhythm - Clave Or Keystone Rhythm |
| 0 | 2-01 Nine & Eighteen Beat Cycles - Gajalila (India) |
| 0 | 2-02 Nine & Eighteen Beat Cycles - Variation With One Pulse Displaced |
| 0 | 2-03 Nine & Eighteen Beat Cycles - Two Pulses Displaced - 1st To 4th Variation |
| 0 | 2-04 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East) |
| 0 | 2-05 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East) - Variation |
| 0 | 2-06 Nine & Eighteen Beat Cycles - Agir Aqsaq (Middle East) - Grid Of Nine Variations |
| 0 | 2-07 Nine & Eighteen Beat Cycles - Modulation Of Pulse |
| 0 | 2-08 Nine & Eighteen Beat Cycles - Non-Metric Rhythmic Modulation |
| 0 | 2-09 Nine & Eighteen Beat Cycles - From Triplets To Septuplets |
| 0 | 2-10 Nine & Eighteen Beat Cycles - Afwar Mawlawi (Middle East) |
| 0 | 2-11 Nine & Eighteen Beat Cycles - Migrations With A Division Of Nine Quadruplets |
| 0 | 2-12 Nine & Eighteen Beat Cycles - Seven Plus Eleven Against Six Triplets |
| 0 | 2-13 Eleven Beat Cycles - Nihcankaila (Decital of Sharngadeva) |
| 0 | 2-14 Eleven Beat Cycles - Kopanica (Balkan) |
| 0 | 2-15 Eleven Beat Cycles - Pattern Of Five Plus Six |
| 0 | 2-16 Twelve Beat Cycles - Ewe Bell Pattern (West Africa) |
| 0 | 2-17 Twelve Beat Cycles - Variation With Three Quadruplets |
| 0 | 2-18 Twelve Beat Cycles - Bemba (Central Africa) |
| 0 | 2-19 Twelve Beat Cycles - Bondo Variation (Aka of Central Africa) |
| 0 | 2-20 Twelve Beat Cycles - Yoruba Pattern |
| 0 | 2-21 Twelve Beat Cycles - Bondo Pattern #6 |
| 0 | 2-22 Twelve Beat Cycles - Bondo Pattern (Played More Quickly) |
| 0 | 2-23 Twelve Beat Cycles - Clave Type Bell Pattern |
| 0 | 2-24 Twelve Beat Cycles - With Two Pulses Displaced |
| 0 | 2-25 Twelve Beat Cycles - With Six Pulses Displaced |
| 0 | 2-26 Twelve Beat Cycles - Hawara Pattern (Morocco, counted in six) |
| 0 | 2-27 Twelve Beat Cycles - Variation With Four Triplets With Clave Type Bell Pattern |
| 0 | 2-28 Twelve Beat Cycles - Another Moroccan Pattern |
| 0 | 2-29 Twelve Beat Cycles - Bulerias (Flamenco, Spain) |
| 0 | 2-30 Twelve Beat Cycles - Bulerias Palmas (handclaps), Jerez style |
| 0 | 2-31 Twelve Beat Cycles - Modulation Of Pulse |
| 0 | 2-32 Thirteen Beat Cycles - Postupano (Balkan) |
| 0 | 2-33 Thirteen Beat Cycles - Variation Counted As 6 1_2 |
| 0 | 2-34 Thirteen Beat Cycles - Murabba' (Middle East) |
| 0 | 2-35 Thirteen Beat Cycles - Dawr Rawan Halabi (Middle East) |
| 0 | 2-36 Fifteen Beat Cycles - 5 Against 3 |
| 0 | 2-37 Fifteen Beat Cycles - Rhythm Modulation Of Pulse |
| 0 | 2-38 Fifteen Beat Cycle |
| 0 | 2-39 Fifteen Beat Cycles - 2nd Variation |
| 0 | 2-40 Fifteen Beat Cycles - Variation With Triplets On The Second Beat |
| 0 | 2-41 Fifteen Beat Cycles - Another 5 Beat Pattern |
| 0 | 2-42 Fifteen Beat Cycles - 3rd Variation |
| 0 | 2-43 Fifteen Beat Cycles - Lama (Raqsan) (Middle East) |
| 0 | 2-44 Twenty-One Beat Cycles |
| 0 | 2-45 Twenty-One Beat Cycles - 7+7+7 |
| 0 | 2-46 Twenty-One Beat Cycles - Three sets of a Berber seven |
| 0 | 2-47 Twenty-One Beat Cycles - 5+7+9 |
| 0 | 2-48 Twenty-One Beat Cycles - Variation Of 5+7+9 |
| 0 | 2-49 Twenty-One Beat Cycles - Variation With Triplets On The Second Beat |
| 0 | 2-50 Twenty-One Beat Cycles - 9+7+5 |
| 0 | 2-51 42 Beat Cycles |
| 0 | 2-52 42 Beat Cycles - 3 Sets Of 7 Against 2 Sets Of 21 |
| 0 | 2-53 42 Beat Cycles - Tehai Of 5 Pulses Against Rupak Tal |
| 0 | 2-54 Twenty-Four Beat Cycles - Aka Pattern (Central Africa) |
| 0 | 2-55 42 Beat Cycles - 2nd Variation |
| 0 | 2-56 42 Beat Cycles - 9+15 |
| 0 | 2-57 Thirty Beat Cycles - Sama'i Thaqil |
| 0 | 2-58 Thirty Beat Cycles - Sama'i Three Times Against Two Cycles Of 15 |
| 0 | 2-59 Thirty Beat Cycles - 5 Against 3 |
| 0 | 2-60 Thirty-Three Beat Cycles |
| 0 | 2-61 Thirty-Three Beat Cycles - 9+11+13 |
| 0 | 2-62 Thirty-Three Beat Cycles - Variation Of Accents |
| 0 | 2-63 Thirty-Three Beat Cycles - 12+21 |
| 0 | 2-64 Thirty-Three Beat Cycles - 4 1_2... |
| 0 | 2-65 Thirty-Five Beat Cycles |
| 0 | 2-66 Thirty-Five Beat Cycles - 1st Variation |
| 0 | 2-67 Thirty-Five Beat Cycles - 2nd Variation |
| 0 | 2-68 Thirty-Five Beat Cycles - 4th Variation |
| 0 | 2-69 Thirty-Five Beat Cycles - 7 Against 5 |
| 0 | 2-70 Fifty-Four Beat Cycles - 12+21+21 |
| 0 | 2-71 Fifty-Four Beat Cycles - 12+14+14+14 |
| 0 | 2-72 Sixty Beat Cycles |
| 0 | 2-73 Sixty Beat Cycles - 12 Beat Pattern Against Jhaptal |
| 0 | 2-74 Blue, Green, Red And Black |