| 0 | Notes In The First Position (*Berklee/William G. Leavitt) |
| 0 | Sea To Sea |
| 0 | Note and Chord Review |
| 0 | One, Two, Three, Four |
| 0 | Imitation Duet |
| 0 | Here We Go Again |
| 0 | Eighth Notes (Counting And Picking) |
| 0 | Etude N°. 1 |
| 0 | Etude N°. 2 |
| 0 | Etude N°. 3 |
| 0 | Two, Two |
| 0 | Key Of G |
| 0 | Duet in G |
| 0 | Another Duet in G |
| 0 | Duet in F |
| 0 | The Triplet |
| 0 | Waltz In F |
| 0 | Take Your Pick |
| 0 | Speed Studies |
| 0 | Duet In D |
| 0 | Key Of A |
| 0 | Major Scales – C Type One |
| 0 | Etude N°. 5 |
| 0 | Reading Studies |
| 0 | Ballad |
| 0 | Reading Studies in F |
| 0 | Blues in G |
| 0 | Short & Sweet |
| 0 | Metronome (Tuning A-D) (*Jazz Studio/Atilla Zoller) |
| 0 | Blues Mit Riff - Mélodie #1 |
| 0 | Blues Mit Riff - Mélodie #2 |
| 0 | Blues Mit Riff - Mélodie #3 |
| 0 | Blues Mit Riff - Mélodie #4 |
| 0 | Blues Mit Riff - Mélodie #5 |
| 0 | Blues Mit Riff - Mélodie #6 |
| 0 | Blues (Chorus) #7 |
| 0 | Careless Love - Mélodie #8 |
| 0 | Careless Love - Mélodie #9 |
| 0 | Careless Love - Mélodie #10 |
| 0 | Careless Love - Mélodie #11 |
| 0 | Blues #12 |
| 0 | Chorus Blues #13a |
| 0 | Chorus Blues #13b |
| 0 | Careless Love - Chorus #14 |
| 0 | Careless Love - Chorus #15 |
| 0 | Diatonisch-akkordfremede Töne #16 |
| 0 | Diatonisch-akkordfremede Töne #17 |
| 0 | Diatonisch-akkordfremede Töne #18 |
| 0 | Diatonisch-akkordfremede Töne #19 |
| 0 | Chorus Blues #20 |
| 0 | Chorus Blues #21 |
| 0 | Chorus Blues #22 |
| 0 | Chromatisch-akkordfremede Töne & Blue Notes #25 |
| 0 | Chromatisch-akkordfremede Töne & Blue Notes #26 |
| 0 | Chromatisch-akkordfremede Töne & Blue Notes #27 |
| 0 | Chromatisch-akkordfremede Töne & Blue Notes #28 |
| 0 | Die Kadenznummer #29 |
| 0 | Kadenznummer mit Riff - Mélodie #32 |
| 0 | Kadenznummer #33 |
| 0 | Kadenznummer #34 |
| 0 | Kadenznummer #35 |
| 0 | Diatonisch-akkordfremede Töne #36 |
| 0 | Diatonisch-akkordfremede Töne #37 |
| 0 | Diatonisch-akkordfremede Töne #38 |
| 0 | Diatonisch-akkordfremede Töne #39 |
| 0 | Diatonisch-akkordfremede Töne #40 |
| 0 | Go Down Moses – Mélodie #42 |
| 0 | Go Down Moses – Mélodie #43 |
| 0 | Go Down Moses – Mélodie #44 |
| 0 | Go Down Moses – Mélodie #45 |
| 0 | Diatonisch - Go Down Moses #46 |
| 0 | Diatonisch - Go Down Moses #47 |
| 0 | Diatonisch - Go Down Moses #48 |
| 0 | Chromatisch - Go Down Moses #49 |
| 0 | Chromatisch - Go Down Moses #50 |
| 0 | Chromatisch - Go Down Moses #51 |
| 0 | Möglichkeiten zur Bereicherung des Klangbildes #52 |
| 0 | Möglichkeiten zur Bereicherung des Klangbildes #53 |
| 0 | Möglichkeiten zur Bereicherung des Klangbildes #54 |
| 0 | Möglichkeiten zur Bereicherung des Klangbildes #55 |
| 0 | 65er-Mittelteil (Kadenznummer) #56 |
| 0 | 45er-Mittelteil (Kadenznummer) #57 |
| 0 | Chorus Blues #58 |
| 0 | Alterierete Akkorde - Chorus (Kadenznummer) #59 |
| 0 | Metronome #60 (End) |
| 0 | Endings in G Major (*Jazz Guitar Courses/Mickey Baker) |
| 0 | Endings In C Major |
| 0 | Time Values & Exercises |
| 0 | Scale Runs in F Position |
| 0 | Minor 7th Runs |
| 0 | Dominant 7th & 9th Runs |
| 0 | Blues N°. 1-3 |
| 0 | Major, Minor and Dominant Runs |
| 0 | Runs Connections |
| 0 | Blues Solo |
| 0 | Bounce Blues |
| 0 | Riff Runs In G Major |
| 0 | Bridges In G Major |
| 0 | Rhythm Changes N°. 1 |
| 0 | Rhythm Changes N°. 2 |
| 0 | Rhythm Changes N°. 3 |
| 0 | Riffs in Bb Major |
| 0 | Blues Patterns |
| 0 | Blues Patterns N°. 1 |
| 0 | Blues Patterns N°. 2 |
| 0 | Blues Patterns N°. 3 |
| 0 | F Blues (Ron Carter) |
| 0 | Opus 60, Étude N°. 1 (*Premières Études/Fernando Sor) |
| 0 | Opus 60, Étude N°. 2 |
| 0 | Opus 60, Étude N°. 3 |
| 0 | Opus 60, Étude N°. 4 |
| 0 | Opus 60, Étude N°. 5 |
| 0 | Opus 60, Étude N°. 6 |
| 0 | Opus 60, Étude N°. 8 |
| 0 | Opus 60, Étude N°. 9 |
| 0 | Opus 60, Étude N°. 10 |
| 0 | Opus 60, Étude N°. 11 |
| 0 | Opus 60, Étude N°. 14 |
| 0 | Opus 60, Étude N°. 18 |
| 0 | Opus 44, Étude N°. 1 |
| 0 | Opus 44, Étude N°. 2 |
| 0 | Opus 44, Étude N°. 6 |
| 0 | Opus 44, Étude N°. 9 |
| 0 | Opus 44, Étude N°. 11 |
| 0 | Opus 44, Étude N°. 14 |