| 13 |
Chroma
|
| 43 |
Displacements
|
| 73 |
That We Must Pass Through This Life
|
| 44 |
Glass Anthimeria
|
| 75 |
Into Your Eyes
|
| 72 |
six sound installations
|
| 67 |
Magnetic Loops IV
|
| 75 |
Environmental Studies
|
| 222 |
Muzak for the Encouragement of Unproductivity
|
| 58 |
Cartographies of Silence
|
| 45 |
Fragments
|
| 65 |
Strame
|
| 82 |
Wave Resource
|
| 34 |
Sensus
|
| 115 |
Monochromes Vol.3
|
| 72 |
Forms of Paper (2024 remaster)
|
| 278 |
Aurora Terminalis
|
| 72 |
LINEmix8 (recordings from the LINE label 2000-2024)
|
| 105 |
Sensitive Dependence on Initial Conditions
|
| 62 |
In My Ears (for Maryanne)
|
| 60 |
Maloviento
|
| 96 |
Cut Paper Flowers
|
| 80 |
Un día en México
|
| 121 |
Ma
|
| 75 |
Paloma Wind
|
| 82 |
Circulator
|
| 65 |
Raw Materials
|
| 105 |
When the Moon is a Thread
|
| 73 |
Colmena
|
| 99 |
Disappearing Music (for Nam June Paik)
|
| 63 |
In the Glow of Distant Fires
|
| 63 |
Four Unbindings
|
| 149 |
Monochromes Vol.2
|
| 146 |
Strömen
|
| 133 |
on a continuous form
|
| 29 |
C
|
| 133 |
Awakenings
|
| 88 |
Magnetic Loops III
|
| 82 |
Apparitions (Vol. 1)
|
| 362 |
The Clocktower at the Beach (1979)
|
| 138 |
LINEmix7 (recordings from the LINE label 2000-2022)
|
| 133 |
Same Room, Another Day
|
| 51 |
Ressac
|
| 92 |
Vast
|
| 98 |
5 Directions
|
| 127 |
Parallelen
|
| 87 |
Return and Recovery
|
| 119 |
Magnetic Loops II
|
| 130 |
West Coast Systems Vol 2
|
| 63 |
Inherited Heteronomous Perception
|
| 92 |
threatening omens in the clouds
|
| 129 |
2 Transcriptions (Oliveros • Pade)
|
| 97 |
Grass Eater Diary
|
| 134 |
Percussion Studies
|
| 161 |
Nostalgia (circa 1987)
|
| 89 |
Various Vibrating Materials
|
| 188 |
Earth's Shadow
|
| 111 |
Turning of the Day
|
| 117 |
LINEmix6
|
| 108 |
Circadian Rhythms Vol.1
|
| 179 |
West Coast Systems
|
| 125 |
five cycles through an empty chamber
|
| 96 |
Flux
|
| 119 |
Shinonome
|
| 77 |
Scrape
|
| 140 |
Variable Dimensions
|
| 156 |
Loss Less
|
| 101 |
extensities
|
| 102 |
Perplexor
|
| 141 |
LINEmix5
|
| 111 |
Mist
|
| 92 |
sûr
|
| 114 |
when she had no mirror... she watched her shadow
|
| 168 |
Six Microphones
|
| 109 |
Wavefront Aberrations
|
| 136 |
on the swollen lips of the horizon
|
| 99 |
Multitemporal Designs
|
| 213 |
Sueda
|
| 199 |
bgm
|
| 101 |
Empire
|
| 146 |
4 compositions
|
| 110 |
Sustain
|
| 136 |
Romantic Threat EP
|
| 117 |
Departure
|
| 139 |
Central (for M.Vainio)
|
| 47 |
Underlined
|
| 138 |
LINEmix4
|
| 153 |
scènes
|
| 66 |
Macondo
|
| 67 |
Gesto
|
| 121 |
walking from savoonga to gambell
|
| 193 |
Pieces for Sine Wave Oscillators
|
| 79 |
Watering the Piano
|
| 103 |
Monads
|
| 93 |
Surroundings
|
| 129 |
Ichinen 一念
|
| 146 |
LINELEH II
|
| 181 |
LINELEH I
|
| 145 |
Here
|
| 184 |
November 20th
|
| 130 |
LINEmix3
|
| 114 |
LINEmix2
|
| 119 |
LINEmix1
|
| 94 |
Genkai 限界
|
| 103 |
Drono
|
| 73 |
Alea
|
| 161 |
A Gradual Accumulation of Ideas Becomes Truth
|
| 107 |
Limit_Fold
|
| 192 |
Singulum
|
| 192 |
Isolation
|
| 190 |
Ornamente (zwischen Null und Eins)
|
| 119 |
Meta
|
| 190 |
Days
|
| 116 |
Three Themes
|
| 196 |
Sleepwalkers in a Cold Circus
|
| 214 |
Program
|
| 119 |
Suite Nuit
|
| 106 |
Forms of Forgetting
|
| 109 |
Description of Problem
|
| 101 |
Subsequent Materials
|
| 113 |
Presque Tout (Quiet Pieces 1993-2013)
|
| 22 |
Liquified Sky
|
| 102 |
frequencies (a / fragments)
|
| 114 |
Interior Field
|
| 41 |
El Parque Está Situado En Su Propia Casa
|
| 133 |
Aurora Liminalis
|
| 80 |
Source Voice
|
| 49 |
Recurrence
|
| 64 |
For/Not For John Cage
|
| 54 |
Kippschwingungen
|
| 40 |
Built Through
|
| 59 |
Foley Folly Folio
|
| 40 |
Radioland (Panorámica)
|
| 50 |
Valence
|
| 166 |
Forms of Paper (remastered)
|
| 64 |
Proximities
|
| 78 |
Soirée
|
| 78 |
8 Studies for Automatic Piano
|
| 65 |
Transparency (performance)
|
| 52 |
Objects of Memory
|
| 171 |
Remain
|
| 197 |
Twin Radiant Flux
|
| 98 |
Relocation.Reconstruction
|
| 108 |
Oltre
|
| 259 |
Monochromes Vol.1
|
| 73 |
Lichtung
|
| 54 |
Attack on Silence
|
| 85 |
Extended Play
|
| 34 |
Further Materials
|
| 112 |
Untitled 1-3
|
| 100 |
h-Menge
|
| 51 |
Listening Garden
|
| 37 |
Trac[k]_t
|
| 45 |
Intermission / Six Feuilles
|
| 84 |
Stage
|
| 68 |
Selections from LINE
|
| 26 |
Levels (Inverted)
|
| 68 |
Specification.Fifteen
|
| 132 |
Z-Menge
|
| 115 |
Cistern
|
| 63 |
Chessmachine (Live in Los Angeles)
|
| 159 |
Airforms
|
| 74 |
Wiel
|
| 109 |
E-Menge
|
| 223 |
Ten Types of Elsewhere
|
| 56 |
Set or Performance
|
| 81 |
60:00
|
| 150 |
Two Point Two
|
| 151 |
Silence Resounding
|
| 81 |
Hyalin
|
| 100 |
Two Locations
|
| 104 |
Circa
|
| 79 |
Clean
|
| 35 |
(to be announced)
|
| 42 |
Of Surfaces
|
| 55 |
Nth
|
| 107 |
Between Two Points
|
| 88 |
Lupe Luep Peul Epul
|
| 104 |
2|1
|
| 244 |
Series
|