| 329 | Direct.Incidental.Consequential (1998) |
| 296 | Divertissement |
| 248 | Under Chandeliers |
| 243 | Sentimental Something |
| 234 | Harbor Darkness |
| 213 | Elision |
| 196 | Desensualized |
| 196 | Pinkcourtesyphone live at LACE, Los Angeles |
| 191 | Three Themes |
| 189 | DUO |
| 185 | PostFabricated (1999) |
| 181 | A Hesitant Fold (1999) |
| 180 | Tracing |
| 180 | 0/r + varied + 3 (1999-2002) |
| 171 | taking into account only a portion of your emotions |
| 166 | Absention |
| 164 | Continue |
| 163 | Interior Field |
| 156 | PostPostFabricated+2 |
| 155 | Untitled Tapes: 1991-1993 |
| 154 | Untitled 1-3 |
| 151 | Central (for M.Vainio) |
| 150 | A Ravishment of Mirror |
| 146 | Decisive Forms (2001) |
| 144 | Something From The Pink House |
| 142 | Leaving Everything To Be Desired |
| 140 | Specification.Twelve |
| 137 | Interreferences II |
| 136 | Indelicate Slices |
| 135 | something you are or something you do |
| 133 | Removed |
| 133 | talk the pleasure out of it |
| 132 | spec. (1999) |
| 131 | Description of Problem |
| 124 | Foley Folly Folio |
| 120 | Levels(Inverted) |
| 119 | Retrieval 1-5 |
| 114 | Ossification Palisades |
| 111 | stase hivernale |
| 107 | Untitled (Angle.1) |
| 104 | Falling Star (Suspension Mix) |
| 103 | Interreferences |
| 101 | A Ravishment of Mirror (expanded) |
| 101 | staticforms |
| 100 | Overview (2003) |
| 100 | Silver (2001) |
| 99 | Elegant & Detached |
| 98 | Recurrence |
| 98 | Further Materials |
| 98 | Series (2000) |
| 95 | A Field for Mixing |
| 94 | Move to Trash |
| 91 | Shouting at Nuance |
| 90 | Archival 1991 |
| 87 | Romantic Threat EP |
| 86 | when she had no mirror... she watched her shadow |
| 83 | Incidence |
| 83 | Sketch for Winter (2002) |
| 82 | Variable Dimensions |
| 76 | Aurora Liminalis |
| 76 | Chessmachine |
| 74 | Subsequent Materials |
| 73 | (typeof) (2000) |
| 71 | LINELEH II |
| 71 | Please Pick Up |
| 68 | Arise in Sinking Feelings |
| 68 | PRE (1-3) 1997 |
| 66 | Of Surfaces (2002) |
| 64 | Phototrashed |
| 62 | All Intensive Purposes |
| 62 | LINELEH I |
| 59 | Two Locations (2003) |
| 53 | Built Through |
| 51 | Other Materials (2002) |
| 49 | Opening Coccyx |
| 48 | Undefined |
| 48 | Fabrication 2 |
| 47 | Fabrication |
| 46 | On Leaving |
| 45 | Recurrence.Expansion |
| 45 | Set or Performance |
| 44 | Transparency (Performance) |
| 39 | 3_components (2002) |
| 38 | Specification.Fifteen |
| 35 | Live in Los Angeles |
| 32 | Reflected Themes |
| 31 | Current |
| 27 | on a continuous form |