| 0 | Jacinta Delaney - Arrhythmic Patterns to Help Infants Accept Complex Temporal Relations (1965) |
| 0 | Helga Hölzel - Early Impulse Study 1 - St. Mary's Cathedral (1968) |
| 0 | Eoghan Comerford - The Golden Apples of the Sun (1969-71) |
| 0 | Jacinta Delaney - Androgynous Vowel Choir Experiment No.3 (1970) |
| 0 | Jacinta Delaney - Water, Bottle, Father, Mother. - Analysis of the Idiosyncrasies of the North Tipperary and South Kilkenny Border Dialects (1970) |
| 0 | Helga Hölzel - Alles hat ein Ende, nur die Wurst hat zwei - Piece for Two Woodblocks (each played through three discrete spaces) and a bank of six sine wave oscillators (1972) |
| 0 | T.V. Delaney - Meascán - for Violin, Viola and Cello each with Automated Ring Modulators (Extract), performed by The James Stephens String Trio (1973) |
| 0 | Oisín Ó Croidheagain (Creegan) - The Foggy Foggy Dew (1974) |
| 0 | Oisín Ó Croidheaghain (Creegan) - An English Country Garden (1977) |
| 0 | Eoghan Comerford - Experiment No.36c (After correspondence with a Mr. Karplus at Stanford, May ‘81) (1981) |
| 0 | Eoghan Comerford - Experiment No.37a (After correspondence with a Mr. Karplus at Stanford, July ‘81) (1981) |
| 0 | Packie Bolger - tuvahompi (Second Movement) (1984) |
| 0 | Kenny Phelan - A Psychogeographic sonification of Fairy Forts located near the banks of the Three Sisters - 1. The Nore (1985) |
| 0 | Kenny Phelan - A Psychogeographic sonification of Fairy Forts located near the banks of the Three Sisters - 2. The Suir (1986) |
| 0 | Kenny Phelan - A Psychogeographic sonification of Fairy Forts located near the banks of the Three Sisters - 3. The Barrow (1987) |
| 0 | Packie Bolger - Piece for Recorder Quartet and Two Synchronised Delay Lines, made of fragments from Planxty Eleanor Plunkett, in celebration of the opening of the Teletext Conference, Kilkenny '89 (1989) |